A Journey through the world of The Witcher (part two)

the_witcher_3_v6_by_harrybana-d8a4bxlHaving ploughed (maybe not the best word in context) through Witcher 2 I went straight on to Witcher 3: Wild Hunt. First of all, I have to say I am in awe of the work done on this game. Witcher 2 is in some ways quite a confined game. With this game they broke down the walls and made instead the game that any RPG fan would want.

In some ways this era could turn out to be a golden age of RPGs. Not necessarily, as for me story and a sense of place are the alpha and omega of an RPG. It’s not a given that these will improve. On the other hand, there seems to be a real sense of learning. I’m sure games developers play the output of other studios more extensively than me. I tend to find a game and play it to death. One a year can sometimes be enough. Nonetheless, I can still see cross-pollination for the good.

Elder Scrolls and particularly Skyrim reimagined the scope and beauty of a single-player open world RPG. This clearly had an effect in the development of Dragon Age: Inquisition. Horses become a standard feature (also through Red Dead Redemption) and the possibility of exploring a vaster landscape unfolds. But gamers aren’t satisfied they want to fight from horseback and this mechanic appears in the Skyrim DLC. It’s not quite there yet. Now Witcher 3 comes along and (at least on keyboard and mouse) it now works and, most importantly, is fun.

There are many points in Witcher 3 that I felt that the designers were responding to something that fans of RPGs wanted and it is then delivered. None of this is to say the RPG form has been perfected. Far from it. There is so much more that can be done and some things that should be dropped but this is for another post. The point here is that CDPR with Witcher 3 gave me a real sense of responding to what people want.

Personally, I immediately felt that my issues with the previous games had been addressed. It was no longer aimless, rather it gave clear opportunities to progress the storyline as and when suited. The graphics were once again improved (beardy Geralt is a huge improvement over previous versions). The combat was enjoyable, the interface more intuitive and gameplay was more logical (e.g. taking potions before a big fight actually possible).  After the trio of barren locations I had endured in Witcher 2 a more verdant and varied vista opened up before me

Last but not least, the VA was a step up from previous games. There was a bit more variety there (helped by more expressive animations), although there are a number of times when Geralt acts needlessly put upon, sighing when exiting a shop screen for no apparent reason and saying a begrudging ‘fine’ more times than I can count. The greater length of the game and opportunities for interactions also mean Geralt is able to show more of his character than before.

I knew I was going to choose Yennefer based on the fact that she was who he was with before he lost his memory. It seemed a bit odd to sideline Triss after spending the game before trying to save her but Geralt lets on several times that easy-going sweetness is not his bag and when previously in possession of all his faculties he had chosen Yennefer. If in doubt, do what you think the character would do.

The game moves on to Skellige and once again I was in awe. This viking-celtic mishmash setting (perhaps meant to be Orkney or the Shetlands) could have been the whole world for many a game and here it is just one place to visit. I think on this in more depth. Skyrim has myriad locations but actually how extensive are they? Even Riverun is only a few screens, probably only a part of the size of Oxenfurt let alone Novigrad.

I have probably only played a tiny fraction of RPGs out there. Still, some things stick in your mind. There’s a game called Summoner on the Playstation 2, horrible controls/gameplay, mediocre graphics, good story and a fabulous setting. Reasonably early in the game you get to the main city, Lenelle. You first enter the market on the outside then and interior market region. From there you can progress to the old town, the upmarket district and the temple area. I don’t think I’d ever seen so much space given to an urban environment before in an RPG. Now I expect nothing less.

Initially, I ignore Gwent. Once I get a feel for the shape of the game I restart in completionist mode. This time I learn Gwent. Who are all these characters on the cards? Oh look, there’s Phillipa Eilhart again. She’s referred to again but first time round I missed ‘Redania’s Most Wanted’. There are others, Milva, Cahir, Regis. Menno Coehoorn I recognise from the back story of the Dun Banner. I still want to know more about Brenna and Sodden.

I complete the main quest and move on to Toussaint. Riding out of Beauclaire I often have to stop and spin around the panaroma. Once again, I am in awe. Ah hello, here’s Regis from the Gwent card.

Something is nagging me at this stage. All this interaction with people Geralt knows but are strangers to me. I feel like I’m missing out on a lot of references and back history. I feel a bit like an outsider when I should be right in the midst. This was fine when in the previous game Geralt was recovering from amnesia but now I need to know the full story. I feel like I’m coming in late on this and I hate coming in late. I want to start from as close to the beginning as possible.

There is only one solution…I have to now read the books.

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A Journey through the world of The Witcher (Part One)

the_witcher_2_enhanced_ed_for_windows_8_oblytile_by_masakari666-d5n4cngThis is not a review. I am not making a recommendation or judging whether anyone else should like the Witcher books or games. This is simply my meandering journey through the series of games and books and my thoughts along the way.

For a long time I didn’t like the Witcher and it was such a shame because I really wanted to like it. Friends, whose opinions on games I trusted, told me it was great. Reviewers told me it was great. I even liked the concept. Yet still I didn’t get on with and to explain this I have to go back to the beginning of my journey.

As previously stated, friends had told me the Witcher was great, specifically that the Witcher 2 was a great game. Long time fans of Andrzej Sapkowski’s writing might well be horrified at coming into the series from this angle but that’s how it was for me. So what was wrong with the Witcher 2? The answer is nothing, initially, as I didn’t start there. I hate coming in late on any series so I started with The Witcher.

There were things to like about the first game. I was keen on the setting and the mythology. The procedural nature of Witcher work seemed like a good tool for telling self-contained quests within a larger story. Ropey graphics (at least by the time I started playing it) notwithstanding the Grimdark aesthetic was one I could buy into.

My stumbling blocks were threefold. Firstly, by the time I got into the Vizima investigation there seemed to be a lot of going back and forth and waiting for things to happen and it all became a bit aimless. Secondly, the combat gameplay was not particularly enjoyable and this exacerbated the first problem. If you’re going to have to do some trudging it needs to be fun. Thridly, and this is the major one, I didn’t like Geralt.

That’s not to say I thought he was a bad character I just didn’t like him because of how he was presented.  This may enrage fans but I hated the voice acting. I’m not going to call it bad acting as I feel that is an accusation made far too liberally. Time and again I’ve heard people label a performance in a film or TV ‘bad acting’ when in fact it was a terrible script. The actor gets the blame for the bad line as if they were the one who wrote it. Another way in which actors get blamed unfairly is that it is sometimes the director’s fault. The actor gave the performance that was asked of them; they were merely asked for something that was bad.

As a consequence, I’m not sure the VA performance in the Witcher isn’t what the creators wanted. It seems as if there was a line about Witchers being purged of emotion and the whole performance stemmed from that. The trouble with this is that one, there is little evidence that aspect of Witchers is anything more than one of the many slanders aimed at them and two, no other Witcher in the game speaks that way. This leaves Geralt as being the sole deadened performer in the piece and comes across more as a poor-man’s Wolverine who’s been given an overdose of sedatives.

A further problem arises from this performance when it comes to the ‘Geralt as a horndog’ parts of the first game. Amorous lines delivered like that come across as skincrawlingly creepy and all the more immersion-breaking when the female characters respond favourable to it.

And so I left Geralt just as he entered the trade quarter thinking I might come back at some point but with no real enthusiasm. I could have left my journey into the world of the Witcher here but, after all, it was The Witcher 2: Assassin of Kings that people were raving about not the first game. Perhaps the faults with the first game would be fixed?

The Witcher 2 is widely reckoned to be a pretty good game. There’s a story that when President Obama visited Poland he was given a copy of it as a gift. I can’t help but try to imagine him trying to play it. It’s not easy. I assume he stayed away from the brothel.

On to the second game. Some things were indeed fixed. The combat was much improved, as were the graphics. Unfortunately, the voice acting was the same and the sense of aimlessness had not been eliminated. It was not an amazing place to hang out like Skyrim and the world and relationships were not as engaging as in the Dragon Age series, a fact I found curious as by this time I was aware there were years of book lore behind it.

Once again I left Geralt, this time in the drizzle of Flotsam thinking that one day I might go back. Here my journey seemed to end and had the Witcher series only been games it may have ended indeed. During my time away, however, another Witcher game came out, Witcher 3: Wild Hunt. Once again, people raved but I was cautious. However good it was I still didn’t like Geralt. In the other ear, so to speak, came tales of how the books were actually really good and the kind of thing I would enjoy. Here the seeds were sown for I really thought that I ought to like the Witcher.

Time passed and I had a period where I was minded to start gaming again. The nagging thoughts about giving the Witcher series another chance bore fruit and I determined that this time I would play Witcher 2 through to the end (gameplay of Witcher 1 was still a bit offputting).

I started again rather than trying to pick up where I left off. I do this often when coming back to an RPG, I don’t like coming in late. This time the Kayran was defeated and I followed the story (beware spoilers ahead). I took Roche’s path as he seemed the more natural ally and it took me to the bleak surroundings of the Kaedweni camp. After the damp drabness of Flotsam I had hoped for a bit of light and shade but at least the story was moving now. I found out the reasons behind the curse and probably at some point around here I had become immersed. The VA was grating less, I had deliberately hung out with Zoltan and Dandelion more and Geralt had started to seem less one-note than before.

Without going into the ins and outs of every quest, I arrived in Loc Muine. This was something of a disappointment. After two cesspits I had hoped for somewhere more like some of the crags I had visited on the way to Vergen. Instead, I was in an infested ruins. Oh well, I’m invested now. Clearly I had missed a number of things along the way and this would not be my best ever play-through. Might as well see this thing out. A dragon appears controlled by Phillipa Eilhart (who is this person? I mean a sorceress, obviously, but I feel like I meant to know who she is.) Everything is a mess. Sorcerers are butchered and now Nilfgaard is coming. Bloody hell.

I’ve got a bit of time on my hands, obviously the next logical step is to immediately download The Witcher 3: Wild Hunt…

 

 

Mars Fallen Released!

FallenstraightenedAfter what has been a number of months of frustration both for Nexus and JW Whitmarsh, Mars Fallen is finally here. It is available in ebook format from Amazon.

Click here for US.

Click here for UK 

As is traditional we had a chat with the author, JW Whitmarsh about the new release and how it fits into the Elemental Cycle.

Nexus: Many might see this book and assume it is a piece of historical fiction. Notwithstanding the fact that it is set in a parallel world, how historically accurate is it?

JW Whitmarsh: Well, the fact it is in a parallel world is a huge factor. So in one sense, it’s not historically accurate at all. None of the events of the story happened in our world. In another sense, there is some mirroring of genuine history. The Senatian Empire developed in a similar fashion to the Roman Empire for example, the expansion across Europe and beyond followed by a split between West and East is more or less the same with a few of the details altered along the way.

Nexus: What is the main point of difference then?

JW Whitmarsh: The main divergence is around religion and mythology. In a world where people can do magic, favour of the Gods or God is seen in a much more literal sense. This changes things. Where miracles are often seen the role of prophets and saints becomes much diminished. People will probably see a link between Patriarchism and Christianity but Patriarchism is not built upon the personality of Jesus. The similarity is in the structure and organisation of a monotheistic religion born out of a later Roman period.

NX: The Senatian Empire feels a bit more like the Empire period rather than the post Empire Kingdoms of Italy that were around in the Dark Ages.

JW: Yes. I’ve said before there is an ahistorical element to the series. In many ways the Senatian Empire is about a century behind the Lands of the West, which in turn are about a century behind the Northern Kingdoms.

NX: Is this an effect of magic?

JW: Partly, I like to think that the more demonstrable power of magic has kept the old pantheon clinging on a bit longer than it did in our world. With that goes the gladiatorial games, which are more closely aligned to celebration of the old gods than they were here. Likewise, the Empire in the West has lingered intact a bit longer thanks to the interventions of the Patriarchists.

The other part to it is that on another level the whole Elemental Cycle is a celebration of world mythology and legends. You can’t visit the Mediterranean world and not feature classical mythology and gladiators any more than it would make sense to remove castles and wizards from Arthurian legend.

NX: Is there a limit on that historical flexibility?

JW: Yes. The technology and understanding of the world should be consistent. You won’t see plate armour alongside bronze weaponry or discussions about the theory of evolution. As I’ve said before, there are some technologies that would likely have come much earlier to cultures that could wield magic, such as the use of glass. You could argue there might be others that would come later because people use magic instead but I tend to think there aren’t enough mages for people to become too dependent on them. In any case, I try to pitch everything at an early Dark Ages time.

NX: Just to remind people who may not have read previous interviews, what are the entry and exit points to Mars Fallen, with regard to the series.

JW: Mars Fallen takes place after the end The Book of Water (Enchantress Awakening, Enchantress Apprentice & Enchantress Destiny) although it does recap events that happened concurrently. It’s not necessary to have read The Book of Water but it helps. There is a slight overlap with Valkyrie Rising but it mostly takes place in the months following. There is no need to have read Valkyrie Rising to understand Mars Fallen as they don’t cross over in any way.

As for the exit point, the book ends a couple of months into the beginning of A Clash of Gods (Book 6) and a couple of weeks before Venus Ascending (Book 7) resumes the tale.

NX: What would you say to fans of the Book of Water hoping to see more of the characters from those volumes. Is the story of the West over now?

JW: The initial quest is over but the story continues for the characters. The Book of Water and Valkyrie Rising are quite self-contained tales. Mars Fallen is where the various strands start to leak into each other. In Books 6 and 7 their is full scale blending. The West and its cast will be seen again and their stories will converge with the overall story.

I think you could say Mars Fallen is the last book which stays true to its element and setting. Book 2 of Earth spends a lot of time in the Senatian Empire as well as the Northern Kingdoms. Book 2 of Fire includes sections from the West and the Southern Expanses, where Spirit is the ruling element.

NX: Cheeky final question. Valkyrie Rising came out in 2016. Can we expect another volume of the Elemental Cycle in 2020?

JW: Who knows? Novels take as long as they take. It might take longer than two years it might take less. What I will say is that I don’t expect there to be much of a gap between 6 and 7 being finished. But again, that’s just a guess at this stage. In some senses it is easier writing the second and third books of each element as there is less world-building to be done. On the other hand, the time taken between books isn’t just about writing it’s about the writing plus everything else that is happening in your life.

NX: Then we wish you a very settled and uneventful year to come.

JW: Err, thanks.

The Elemental Cycle: An Update

vrperFor those paying attention, it has been a while since anything was released from the Elemental Cycle. The reasons for this are myriad (marketing and editing issues, whole-scale relocation etc) but the good news is JW Whitmarsh is still writing and book five ‘Mars Fallen’ is in its final stages. Therefore this seems like a good point to look at what is to come in the next few months for the Elemental Cycle.

The first thing on the horizon is a second edition of ‘Valkyrie Rising’ with all new artwork consistent with the spellbound editions of the Books of Water. Hot on the heels of that we expect to be able to release the first edition of ‘Mars Fallen’. As for what lies in stall after that, we thought it best to ask the author….

Nexus Fiction: We’ve had three books from Water, one book from Earth and one book coming from Fire. How can we expect the story to continue from here? Are we going to start again from Air and Spirit or are the stories unfolding going to continue before that?

JW Whitmarsh: It’s always a difficulty when writing a story that develops across continents keeping hold of what is concurrent and what is consecutive. That said, the further the story goes on the more linear it will become. So far book 3 of water finishes before then end of book 1 of Earth, while book 1 of Earth finishes a couple of months before the end of book 1 of Fire.Fallenstraightened

NX: Will that staggering of events continue through the next volumes?

JW: We shall see. Nominally, I consider book 2 of Earth to be book 6 overall and book 2 of Fire to be book 7 but they will happen in tandem.

NX: Do you intend to write them in tandem?

JW: Provisionally, but the writing process is never simple. You have to allow yourself to be carried along. Some chapters are also easier than others. In many ways the prospect of writing two stories simultaneously is quite appealing. It’s harder to get writers block when you have two outlets.

NX: Is writer’s block a constant issue for any writer?

JW: I can’t speak for all writers. What I would say is that for me it’s never a case of running out of ideas; it’s more how to organise them and bring them to life. But more than that it’s about having the time to sit down and work through whatever is giving you difficulty. I prefer to write in long blocks of hours. Unfortunately, life doesn’t give you those all that often.

NX: What has been the biggest problem with ‘Mars Fallen’?

JW: I would say pacing and balance more than anything else. With previous volumes the story has primarily revolves around a singular protagonist. ‘Mars Fallen’ has three. Finding the right way to give each their voice is a new challenge.

NX: There are many characters in the Elemental Cycle. Are there any that you find easier to write than others?

JW: Yes. [Spoiler alert]. Tovrik is generally quite easy to write because he comes from a perspective of knowledge. He has spend so long in study that there is no need to show a road of discovery. He has his history already, he is fully formed. Whenever I write Tovrik there is a sense of confidence that I know what he is going to say or how he is going to react because nothing surprises him.

NX: By the same token then, who is the hardest to write?

JW: Probably Caleigh. She has the burden of carrying the story quite often and doing that while asserting your identity is not easy.  Coupled with the fact that her identity is not yet fully formed. She is being asked to do things that are utterly unreasonable for someone of her age and experience. So often she is in the role of learning by doing that it’s difficult to know until something is in process how she’s going to feel about it.

NX: Will we ever get to see more into the lives of the support characters?

JW: Well, yes. In the main story there are many who have a great role yet to play. In terms of stand alone stories though, there are a few. We’ve talked about it before and the more I think about it the more I’m sure there will be some side tales for Owain, Ysabelle and Eleric. I can definitely see a prequel trilogy there.

NX: It may be far too early to ask but have you thought about what is to come for the world of the Elemental Cycle after the Elemental Cycle is finished?

JW: Yeah, there are several thoughts in motion. I don’t see there being direct sequels as by the time the Elemental Cycle is done there will be plenty enough but I have ideas for the world some hundreds of years after.

NX: Can you give any clues about what that might be?

JW: Pirate wizards. That’s all I’m saying for now. We’re a number of years away from that.

NX: Suppose a new reader sees ‘Mars Fallen’, can they join the Elemental Cycle at that point?

JW: There’s no strict order so far from element to element. It’s possible to start from Book 1 of fire if you like. A lot of things will make more sense for readers who start on the Book of Water but that’s not to say there isn’t as good a journey working from Fire first. As an author you are kind of omnipotent in your world so you can never predict exactly what experience a reader will have when they don’t know what is going to happen.

NX: Going back to the previous point about intersection of storylines, do you have a notion of where the books of Air and Spirit are going to fit in?

JW: First of all, there’s not necessarily going to be distinct trilogies as with the Book of Water. That may well be the only time that three stories of one element conveniently flow into each other. It’s also quite likely that the other elements will not have 3 distinct parts. Earth and Fire are on a definite collision course and I think that is something we can expect a lot from here on with all the elements.

There you have it. Look out for more pages being added to this website along the way and for links to the new books as they are released.

New pages on fire magic coming soon

After a quiet summer on the Nexus front we are now settling down to a new run of activity. A new book is coming this season – Mars Fallen – where we will be taken into the classical world of the Senatian Empire where the element of fire is dominant. To tell us more we have the author JW Whitmarsh dragged back from exile by a pair of obedient centaurs.

Nexus Fiction: First of all, welcome back. It’s been a while. What have you been up to?

JW Whitmarsh: Yes. I’d love to say I’ve been working hard in my writing retreat reeling out chapter after chapter of new stories but alas the truth is more prosaic.Humdrum realities such as earning money and moving house have got in the way of creative endeavours of late.

NX: Normal life can be so inconsiderate. So what can we expect from the fire magic of the Imperium?

JW: As I think I might have said in a previous interview, magic is handled very differently in the Imperium. There it is believed that all magic comes from the Gods of the Pantheon and the magically-gifted are, on the whole, absorbed into the clergy.

NX: The classical world had many deities.How do you fit that into the way you have broken down magic before by the elements?

JW: I have restricted myself to 12 Gods (arguably the more prominent ones from classical mythology) and grouped them into four groups of three, four triads, if you will; Heliomantic, which includes Jupiter, Apollo and Minerva, Geomantic – Vesta, Vulcan and Ceres, Astromantic – Mars, Mercury and Neptune, and Lunarmantic for Diana, Juno and Venus.

NX: You’ve decided to go with the Roman names rather than the Greek.

JW: Initially, the story starts in the equivalent of the Western Empire so that made sense. Also Vesta has a role not mirrored by Hestia and the Vestal Virgins are a pretty important element to the novel.

NX: Going back to the groupings, are the priesthoods of each triad linked in the same way that the three disciplines of Enchantment are?

JW: No. The devotion of different Gods is kept entirely separate. The traitor Empyrean who was the architect of how fire magic would be learned gave thought to what might follow if one who was magically gifted could learn all that he had learned and so deliberately propagated the idea that one could only be blessed by a single deity at a time.

NX: So the Imperium has no great wizards like Caerddyn?

JW: No. Indeed the concept of a wizard who was in control of their own magic is a foreign one. The clergy of the Imperium are taught that magic only goes through them by the will of the Gods.

NX: Moving sideways slightly and with due care for spoilers, can you tell us why the contemporary wizards can’t learn all spells from their element in the way that the traitors did? Does that mean the past can never be matched?

JW: It’s a mixture. You have to remember that the traitors were the greatest wizards of their day in an age where magic was at its zenith. They were the guys who were left standing from the fight with Xyraxis and his arch demons where all others mages (bar Loreliath) perished. So all things being equal they would be hard to emulate anyway. There’s also the matter of what happens when you specialise. To go deeper into certain Arts you need a way of thinking that may be mutually exclusive with learning others. The expert specialists of the world contemporary to the stories would definitely be able to do magic within their Arts that had never occurred to their originators.

NX: So in a sense the magic of the contemporary world is more advanced than that used by the traitors?

JW: I’m not sure about advanced because that implies improvement. It’s more involved. An analogy might be something like in classical times Latin was widely spoken across western Europe. Now instead we have Spanish, Portuguese, French and Italian. If you pulled someone from the ancient world and compared them, speakers of each of those languages would be better at them than the Latin-speaker but if those speakers had never had any training in each others’ languages it is quite possible that the Latin-speaker would have the best cross language understanding because his/her language is the basis for all of them. Does that make sense?

NX: Actually yes. Does it follow that the priests and priestesses of the Imperium would be better at their disciplines than their Western Lands counterparts because of their focus?

JW: No, because they have been beset by false limitations. I think overall if you were to look at the world of the Elemental Cycle the places with the most impressive mages, the ones who most fit our idea of wizards, would most likely be found either in the Western Lands or in one of the mage cultures of ancient world.

NX: By which you mean the pre-classical civilisations?

JW: Yes, the equivalents of ancient Egypt, Babylon, Assyria and Persia.

NX: When will we get to see them?

JW: Not for a while yet. Not this year certainly.

NX: On which subject, can you share your progress with us?

JW: Mars Fallen is nearly finished. There’s maybe one or two chapters to go. After that it will have to go through editing. We will see it this season, I expect. I intend to write Venus Ascending and A Clash of Gods in parallel so there may be a long wait before we see anything more. This time next year we could be talking about what’s to come in book 6 or book 9, who knows? As I said at the beginning of this, for authors as much as anyone life sometimes takes us in unexpected directions.

Fallenstraightened

Interview with JW Whitmarsh – Author of The Book of Water

Book of watereditNexus Fiction: Here we are again in the interrogation chamber of the Nexus castle. As we write our author JW Whitmarsh is being chained down by a team of obedient fomorii and told no food will be brought until all our enquiries are satisfied. So, with no further ado let us begin.

NX: How are you doing?

JW: Fine. I’m not sure how secure these manacles are though.

NX: We got them on the cheap.

JW: You mean you went to the adult store instead of the hardware store?

NX: It’s so much closer. Anyway, trilogy edition is out next week and since we haven’t interviewed you about Enchantress Destiny it seems a good point to talk about the final part of Caleigh’s journey.

JW: Won’t that be spoiling for those who were waiting for the trilogy edition?

NX: Be circumspect. Let’s discuss the books generally. Do you see the story as three parts or as one long tale?

JW: When I wrote it I definitely wrote it as one tale. I have or had a certain blindness slash ignorance of how long it was until it came to publishing. I thought I’d written something like a 600 page book. Long yes but not so long it needed to be partitioned.

NX: And then we told it’s 1,000 pages. A trilogy seemed like the obvious thing.

JW: Knowing what I know now I would have written it differently. Nonetheless there are distinct phases and tones throughout the story. Awakening is a coming-of-age journey. Apprentice is a quest. By the time we get to Destiny it is more of an all-out war.

NX: Less discovery and more resolution.

Destiny serpent2JW: Yes. I spent a long time gathering all the pieces and putting them into place. In the last volume we see how that unfolds. I noticed this in particular writing the dramatis personae for each part. By Destiny there aren’t so many people to introduce any more and so it is subsequently much briefer than the others.

NX: We’ve talked before about how some characters are ‘meta’ and some are ‘organic’. Can you expand upon that?

JW: Meta characters in storytelling terms are the ones who are required to be there by the plot and at certain points they will do certain things that are necessary to advance the narrative. In Dr Who terms they are fixed points that cannot be altered.

Organic characters, by contrast, do not need to be anywhere or do anything in particular but are grown out of the logic of the story or setting and evolve and act according to their personality.

NX: Can an organic character end up changing these fixed events?

JW: Organic characters can certainly influence how things play out and can create story-lines that would not have existed otherwise. That said, some fixed points are hard to get around.

NX: Can an organic character become meta and vice versa?

JW: Short answer, yes. The overarching story has a number of fixed events; the rest is fluid. Some characters started off as organic in Enchantress Awakening and have later become meta.

NX: So someone who started off as incidental can later have an important fate?

JW: Exactly. And the reverse can be true. Once all their fixed events have passed a meta character becomes organic. Almost everyone who was meta in The Book of Water is now organic.

NX: What would be the breakdown generally? Do you start with a set number of meta characters and let the rest grow around them?

JW: It’s hard to remember exactly what I was thinking ten years ago. I would say a handful of characters began their life as meta characters and others became so in the writing process.

NX: And all those who survived The Book of Water are now organic?

JW: No. A few remain or have become important to much later events. Without giving too much away I will say as an illustration one character who started off life as an organic character now has a key role in the end of the entire series.

NX: That’s quite a meta leap. Can you give an example of someone who is an organic character and how they came into life?

JW: I think the most non-spoilery example I can give is Ellie. She was not part of the overriding narrative but as soon as I created Caleigh it was natural for her to have a friend of the same age. I don’t think I intended for her to be as involved as she was in the end but her relationship to Caleigh kept bringing her back into the narrative. It kind of mirrors how she feels about her role in these great events. She’s surrounded by all these wizards and heroes yet time and again she finds herself being useful to them. Now I think about it there’s an argument to say she’s the real hero. Maybe one day I’ll write the story from her perspective.

NX: She’s quite popular with the readers so we’d be happy for you to write it. Do you ever find you have different reactions to things than your readers?

JW: Haha. Yes actually. One reader reached out to me to tell me they found the story really funny. It was not the reaction I was expecting.

NX: There’s a lot of irreverent humour in the books though. You must have realised that writing it.

JW: Yes, absolutely. It’s just it’s not something I made a point of inserting. Humour between friends seems like a natural form of interaction and life’s absurdities are impossible to avoid altogether, even if it were desirable to do so.

NX: Have you encountered any drastically different interpretations from readers so far?

JW: Not as yet. Obviously, everyone has their preferences. Some say there’s too much sex others say they want more. Some don’t like fantasy generally but like the characters, others would like it to be more fantastical.

NX: In what way?

JW: I think one reader asked if I would do a human-centaur relationship.

NX: I almost dread to ask but will we see that?

JW: You’ll get to see centaurs.

NX: Now, you’ve written The Book of Water as volumes 1,2,3. Will the rest of the elements follow suit?

VlakyriegoldJW: No. I always intended for the narratives to shift and merge. The Book of Earth and The Book of Fire run more or less parallel to each other and intersect at points.

NX: How do you decide which bits go where?

JW: It’s a matter of narrator mostly. If we are reading Valeria’s story it will be Earth, if it is Marcus and Junia’s it will be fire.

NX: Are there any characters who will intersect across the all the Elements?

JW: Two for definite, and I don’t think this is giving much away; Loreliath and the Beast.

NX: Of course. The Book of Water is now finished. What sort of timeline can we expect for the books to come?

JW: In terms of in-story events or release dates?

NX: Let’s start with the latter.

JW: Book 4 – Valkyrie Rising (Part One of The Book of Earth) is written. Book 5 – Mars Fallen (Part One of The Book of Fire) is maybe 85-90% finished. I expect Valkyrie Rising to come out in the summer and Mars Fallen somewhere between late summer to early autumn.

FallenstraightenedLike with 4 & 5, Books 6 & 7 (A Clash of Gods/Venus Ascending) take place more or less concurrently and I expect I’ll write them as such. I hope to bring both out next year.

NX: And beyond that?

JW: Let’s see. I don’t want to get into soothsaying or making unfulfillable promises. When is ‘Winds of Winter’ coming out, by the way?

NX: Nobody knows, least of all George RR Martin. You’ll just have to keep us well read in the meantime.

JW: A heavy responsibility. Just don’t expect too much twincest from me.

NX: Dragons?

JW: There is always a dragon eventually.

 

The Elemental Cycle continues

Things have been a little quiet on the website front for a bit and we’re hoping to rectify that. The reason behind this is we’ve all been busy with our principle task of producing exciting new books.

While we hope to get back to producing web content soon, in the meantime we thought we’d provide an update on the writing front. In short we are well under way.

VlakyriegoldvrperValkyrie Rising: Valkyrie Rising is in the editing process now and we fully expect it to be ready for release in advance of the July release date. At around 100,000 words it is slightly longer than Enchantress Apprentice/Destiny and a bit shorter than Enchantress Awakening.

It is a new story with a new set of characters and requires no prior knowledge of other books to read, though those who’ve finished The Book of Water will get something extra from it.

FallenstraightenedMars Fallen: Mars Fallen is at present about 85% complete and we hope will be ready a long time in advance of the October release date. At this point, we’re not ruling out the possibility of an earlier release but we’ll wait on that last 15% before we decide anything.

Overall we’re very excited by the rate of progress. We had always hoped to have the first five books out by the end of the year and we’re on target for that.

Never fear that the Elemental Cycle will be be done too soon. When we started out we saw it as a 6-10 year project to bring the series in its fullness to life and we’re still in the beginning of month 2. There’s a long way to go yet.