Where is the Dragon? New Edition for Apprentice released!

Yes. The spellbound edition for Enchantress Apprentice is now available on Amazon. Click on the link below to find it or go to this page to choose between the spellbound and stone editions of the book. Dragonard2

Links for spellbound edition by country;

US, UK, Can, Aus, Fra, Ita, Ger, NL, Ind, Jap, Bra, Esp, Mex

What kind of wizard are you? – A Quiz.

Ever wondered what kind of wizard you would be? No, we not talking sorting hats here, we’re talking about how your personality and power would come together. In the Book of Water (Enchantress Trilogy) by our author JW Whitmarsh there are four different kinds of wizard; enchanters, illusionists, seers and druids. Each have distinct approaches and perspectives but, ultimately, it is the person inside who shapes how the wizard comes to their power.

After a quick word from the author find out where you would sit

Nexus-Fiction: We’re trying to decide what kind of wizard people would be if they were born gifted in the world of the Elemental Cycle. Maybe we should start with some famous examples.

JW Whitmarsh: OK, but bear in mind this would mean they would have to be limited by the lore of my world. You can’t really dump a character from another world into a distinct fictional construct cohesively.

NX: Indulge us.

JW: Very well.

NX: Right. Let’s start with a biggie. Gandalf?

JW: Difficult. I think you’d have to treat Gandalf the Grey and Gandalf the White differently. Gandalf the Grey seems to have an affinity with fire magic principally, which says enchanter, but he also does defensive wards and shields in the manner of a seer. I’m going to say seer with exceptional skills in elemental charms. Gandalf the White on the other hand is all about light magic and in the Elemental Cycle world he’d probably be a summoner like Loreliath, but that’s not an option in this test.

NX: Alright, Merlin?

JW: The recent TV Merlin on BBC seemed to be a seer mostly but if we’re talking about the Merlin of legend he would definitely be an illusionist.

NX: Prospero?

JW: He is quite controlling and gets others to do his bidding a lot so I’d say he’d be an enchanter.

NX: Who’d be a druid?

JW: Radagast the Brown would fit very comfortably into the druid role, I think. Or Herne the hunter.

There you have it. Now it’s your turn to decide what you would be.

Question 1: If you had to face one of the following, which would you LEAST want?

  1. Going blind
  2. Losing both hands.
  3. Losing sense of taste and smell
  4. Going deaf

Question 2: It’s raining hard outside and you want to pass the time. Pick the game that would amuse you best.

  1. Poker
  2. Chess
  3. Blackjack
  4. Dominoes

Question 3: Your bedroom is drab and spartan. You can cheer it up with one thing, which would you choose?

  1. A teddy bear
  2. A plant
  3. A ceiling painting of the stars
  4. An encyclopaedia

Question 4: You have to go onstage and entertain a crowd for a short time. What is your act?

  1. A Stand-up routine
  2. Juggling
  3. Magic tricks
  4. A poetry recital

Question 5: Which danger sign would most likely adorn your workshop.

  1. 1024px-Flammable-symbol.svg 2. electricity 3. 2000px-WHMIS_Class_D-1.svg.png4. 2000px-Danger_radiation.svg

Question 6: You’re worried about security for your home, which do you invest in?

  1. A state-of-the-art alarm system
  2. Beefing up the neighbourhood watch
  3. A guard dog
  4. Hidden traps

Question 7: Which of the following phobias bothers you LEAST

  1. Crowded places
  2. Spiders
  3. Heights
  4. Snakes

Question 8: You’ve got some time to relax, what do you want to do?

  1. Take a walk in the park
  2. Visit an art gallery
  3. Listen to classical music
  4. Have a massage

Question 9: You have to commit a bank robbery and want to use as little violence as possible, how would you go about it?

  1. Fill the bank with smoke and set off the fire alarm to get all the employees out first.
  2. Hack the security cameras so you can pass by unseen.
  3. Convince the bank manager that you have his family hostage
  4. Pump a sedative into the air conditioning to send everyone to sleep

Question 10: You are in fear for your life, how will you protect yourself?

  1. Find a vantage point from where you can see anyone approaching.
  2. Escape to deep within the forest
  3. Surround yourself with the best guards you can find
  4. Retreat into a cave network that you know intimately

Answer Time.

Add up the following scores for each question. Pens and pencils ready.

1: 1)d  2)b  3)a  4)c        2: 1)d  2)c  3)b  4)a    

3: 1)b  2)a  3)d   4)c       4: 1)b  2)c  3)d  4)a

5: 1)b  2)c  3)d  4)a       6: 1)c  2)b  3)a  4)d

7: 1)b  2)d  3)c  4)a       8: 1)a  2)d  3)c  4)b

9: 1)d  2)c  3)b  4)a        10: 1)c  2)a  3)b  4)a

Mostly As Click Here     Mostly Bs Click Here    Mostly Cs  Click Here     Mostly Ds Click Here

 

Enchantress Awakening New Edition Available Now!

We’re pleased to announce that the Spellbound Edition of Enchantress Awakening is now available for purchase on Amazon. Meanwhile the Stone Edition is still available for the same price so now you have the choice of which cover you prefer.

 

Soon they will be joined by the Spellbound Edition of Enchantress Apprentice and in early May by both versions of Enchantress Destiny, which will be release simultaneously in both formats.

Quick Link to Spellbound Edition US, UK, Can, Aus, Ita, Fra, Ger, Ned

Quick Link to Stone Edition US, UK, Can, Aus, Ita, Fra, Ger, Ned

 

New Edition Covers

 

Yes. Hot on the heels of what we refer to as the ‘stones’ editions, we are releasing the alternate ‘spellbound’ editions. We want our readers to have a choice so we are going to release them as soon as the original ‘stones’ edition of Enchantress Destiny is for sale.

We will be adding new pages here shortly so that web viewers will can easily select their preferred version.

Hope you like them,

Nexus Fiction

Upcoming books from JW Whitmarsh

The next few months are going to be pretty busy for JW Whitmarsh so we thought we’d give a taste of what is to come, along with a rough timeline and a short quote from the author on each.

Enchantress Destiny – due 1st of May, 2016

Enchantress Destiny(celtic)Nexus-Fiction: Is there much of a gap between Enchantress Apprentice and Enchantress Destiny?

JW Whitmarsh: No, none at all really. Chapter 1 follows on from where we left Apprentice. The first third is very much a continuation of what was set up previously. Thereafter we seen the quest heading towards its final destination.

NX: Is this the last we’ll see of Caleigh and her friends?

JW: Each Elemental Book, Water, Fire, Earth etc is set in a different part of the world so what comes after The Book of Water isn’t necessarily in sequence. That said, the events set in motion in The Book of Water will have a global effect and whoever is left standing is going to want to have a part in what happens after.

The Book of Water – due 3rd of June, 2016

Book of watereditNX: So we’re finally bringing out The Book of Water as a single volume. Is this how you see the story?

JW: Yes, absolutely. But I’m also a reader and I appreciate people like to break things down. The main advantage in having them together like this is people will approach them in sequence and don’t have to worry about having read something first.

NX: Will there be anything new?

JW: There may be appendices about some of the background information and characters. We shall see.

Valkyrie Rising – due 1st of July, 2016

vkbiggerNX: So Valkyrie Rising is volume 4. Is it necessary to have read 1-3 first to understand it?

JW: Short answer is no. It’s set in a parallel Norse world as opposed to the Celtic one and features a new set of characters. Valeria’s journey runs largely concurrent with Caleigh’s for the first part of the novel and then carries on for a few months after.

NX: Will readers of The Book of Water have a better understanding?

JW: They will have a better understanding of the world and how magic works and things like the Society of Shadows. Elsewise it’s a new beginning.

NX: So we shouldn’t expect any cross-over?

JW: Not yet with this one. Ultimately, there will come a point when all the distinct elements converge but you’ll have to wait and see precisely how they pans out.

Mars Fallen – due October 2016

FallenstraightenedNX: We have another origin story here. Can this too be read as a standalone?

JW: Yes. Less so than Valkyrie Rising but it’s quite possible to understand everything with no prior knowledge of the other books.

NX: So we should expect this one to be completely self-contained?

JW: Not completely. As it takes place a little bit later we will start to see some progression and consequences from The Book of Water.

NX: And we’re in ancient Rome this time?

JW: Well, Sena but yes the setting is the classical world. It’s not entirely the same. In this world the Empire in the west has clung on for a hundred years or so longer than its historical counterpart.

NX: Since we’re on the topic, when is the Elemental Cycle set precisely?

JW: You have to remember this is a parallel-world and one that has been hugely influenced by magic and magical turmoil. Some things have been invented much earlier as a natural consequence of magic use. For example, glass-working in a world where people can wield fire would happen many centuries earlier, I think. Likewise, religion would have developed very differently when most miracles were explicable through spells and learning.

Roughly speaking, the current time period in the world of the Elemental Cycle is somewhere in the region of the 5th to 6th centuries. Unfortunately, not that much is known about a lot of the world in this time so what I write about is illuminated by better documented periods. Valeria’s Scandinavian world is approaching the Viking era, which is actually 2-3 centuries later.

Ultimately, the world of the Elemental Cycle is a celebration of mythologies so it tries to reach the defining period for those. There is no century that would conveniently align with all of that.

NX: Does this convergence have an effect in terms of the current state of each culture?

JW: Yes, to a degree. We are not going to see samurai and hoplites alongside knights in full plate armour charging against cannons. The Senatian soldiers of this time wear mail; the lorica segmenta is acknowledged as something from the past. The knights of the west wear mail and haven’t started jousting, which, incidentally, already makes it more historically accurate than the medieval tales of King Arthur.

NX: This all takes us up to October this year. How far ahead have you planned with the series? Can you give us a hint what the following three books will be?

JW: Book six is A Clash of Gods, which will be the second book in the Book of Earth. At some point the second book of the Book of Fire (provisionally titled Venus Ascending) will branch off from that. The two may initially run parallel to each other. At the same time in another part of the world the first part of the Book of Air is due to start. It may have started already in terms of the timeline.

NX: Will all the Elemental Books be trilogies?

JW: That remains to be seen. I think that’s something that should be dictated by the story rather than neatness. Maybe it will be two books or one. How do Nexus feel about a tetralogies?

 

 

 

 

 

Trilogy or Epic – A reader’s poll

In light of the forthcoming release of the third part of the Book of Water, Enchantress Destiny being released at the beginning of may and the complete trilogy version being released a month later. We thought we’d look at this question more generally.

The trilogy is a well-known staple of films, books and games. So much so that almost everything now has to be a trilogy. The number three is very satisfying but is it always what people want?

Tolkien famously never regarded The Lord of the Rings as a trilogy. That was his publishers idea. Yet when it came to making the films splitting it into three was a no-brainer. Is this the eternal truth? Is it that writers prefer a single, complete story whereas the audience needs a more digestible chunks?

We’re polling this on twitter at the moment and would be really interested to know people’s thoughts with regard to books and fantasy books, in particular. In the meantime, here’s a (very) short case for both sides.

Trilogy

Every writer wants their book read and many people would be intimidated by a 900-page brick. Length can be an initial barrier for many, even if in the event they would be able to manage. This remains true even once a reader has decided to take it on. War & Peace is famously one of the least finished books. We all like a sense of progress and huge books don’t make it easy for us. When you’ve read 100 pages you should feel like you’re well into a story and not just scratching the surface. Reading is a time-consuming process the less like a slog it seems the more people will do it.

Epic

First of all, a distinction should be made. There’s a difference between a book having two sequels and breaking up a longer tale. The reason writers don’t like their books split into three is because they are not three separate stories. It is a single story that should be read in order. Who wants to read Return of the King if you haven’t read the other two first? Also, this artificial split puts a lot of pressure on the first book to be the gateway to the others as well as being a complete story in its own right. We don’t judge films and plays simply by watching the first act. Novels should be no different.

Obviously there is a lot more you could say on both sides but it’s a start. Give your vote and your opinions here  or use the hastag #trilogyvsepic with your thoughts.

 

Release Day!

Enchantress Apprentice(celtic)As of today Enchantress Apprentice is officially on sale. Click here for the links by country. We like to show thanks to our most committed fans therefore early purchasers will be rewarded with a lower price for the first month.

 

 

 

 

Enchantress Awkening(Avetemp_-001If you are a little behind and wish to catch up, do not despair. Enchantress Awakening is still available. Buy now and begin the journey.

Interview with the author of Enchantress Apprentice – JW Whitmarsh

So here we are. With Enchantress Apprentice – Part Two of the Book of Water coming out tomorrow we thought it would be a good chance to catch up with the author, JW Whitmarsh  once more. This is the first of three interviews that we will be posting on this website over the coming days and weeks. [Minor spoilers possible for those yet to read/finish Enchantress Awakening].

Nexus-Fiction: So a month in and now we are talking about Enchantress Apprentice. Does it feel like just yesterday that Enchantress Awakening came out?

JW Whitmarsh: Not really. This month has been pretty busy so it actually feels like quite some time ago.

NX: How distant do the stories feel to now? I mean you wrote a lot of the material some time ago.

JW: That’s true but still the story feels quite close. I’ve had to look at it again in a different way with trying to turn the Book of Water into a trilogy. I’ve spent quite a bit of time walking with Caleigh recently.

NX: On the subject of Caleigh, how do you pronounce her name? I’ve heard people say it different ways.

JW: It’s a Celtic name but there isn’t one correct Celtic or British accent. The derivation of the name is disputed and I think there are several variants that are acceptable so cay-lee, cal-ee, kelly, or even keely would be fair, depending on your own accent. I recently read a theory that the name actually comes from the Greek Callisto, who was a nymph, which is, shall we say, an interesting coincidence.

NX: I’m not convinced it is a coincidence but I can tell when an author is being circumspect. Staying on the subject of Caleigh, while trying to avoid spoilers as much as possible, where is she at the beginning of Apprentice compared to Awakening?

JW: I take it you mean in terms of her character as opposed to geographically?

NX: Yes, and in terms of her progress as a wizard.

JW: It’s very different. She is now a firmly established Apprentice and Librarian of Elevered. There’s an argument to say that in Awakening she is following the journeys others have given her (at least initially). In Apprentice the journeys are very much of her design. Of course she is still guided by Loreliath and Tovrik but she is using her own interpretation much more.

NX: Is she a match for other wizards yet?

JW: Obviously it depends on the wizard but she is getting there. We saw glimpses of that at the end of Awakening but it goes further in this story. Her enemies are starting to learn they need to take her seriously.

NX: Do we learn much more about the Coven and the Society of Shadows?

JW: Yes, definitely. We’ll get to put a lot more names to faces with the Coven and see that they are not necessarily homogeneous characters. It’s the same with the Society. When we first meet them we only see them as direct actors. In Enchantress Apprentice we begin to appreciate that their influence is more pervasive than that.

NX: More society to go with the shadows?

JW: Yes, you could put it that way.

NX: What about the good guys? Will more be added to the cause?

JW: Without giving too much away I can say that’s a pretty safe assumption. We’re definitely in the recruitment phase now.

NX: At the end of Awakening we saw Caleigh struggling to contain her powers. Will this be a problem for her again?

JW: I think you can see this as a development on her part. I think by the end of Awakening she has understood that repression doesn’t work for her so partly it’s that need to embrace her wilder side that persuades her to venture out from Elevered.

NX: So we shouldn’t expect to see Caleigh taking up the nun’s habit in Apprentice?

JW: Not unless it’s fancy dress night.

But it was cool when… – times adaptations got it right

Earlier, I wrote a blog called ‘Wouldn’t it be cool if’ … – the modern curse of Sci-fi and fantasy where I argued against taking liberties in adaptations for the sake of a cool (but unjustified) moment and one reader asked me if I ever thought adaptations could be better.

I feel I need to respond to this for a number of reasons. First of all, adaptations per se are not the problem. My problem is with WIBCI moments that wreck the story around them/the characterisation of those involved. As I wrote in that article, they are by no means limited to adaptations they just have worse consequences when they are.

Still, it’s fair to ask if I think there are times when TV/film can do better than my beloved medium of text. There are many writers who are dismissive of visual media and as a result are often far less outraged by bad adaptation than their readers. To them the definitive version (theirs) will always exist no matter what goes on elsewhere.

There are others who think TV/film is always better or at least the only form people care about and while I can’t agree with them on that, there is a  tiny nugget of annoying truth in that. Adaptations can’t and shouldn’t be dismissed, as for many people this will be their first introduction to the story. A poor adaptation may stand in the way of the author getting their true vision across.

There are others still who say there are two versions and you can’t really compare them. As reasonable as this position is, I can’t agree with that either. One begat the other and for the reasons mentioned before, the other often stands as the former’s representative in the world of mainstream awareness. Note George RR Martin being called on to justify Sansa-gate when he didn’t even write that. The two are and always will be linked.

This matters to me because I don’t dismiss TV/film. I always hope for good adaptations because when I read a book I can see the potential. As a novelist, there are tools available to TV/film which I envy; most notably the performance of actors and a soundtrack and I think these are two ways in which the original story can actually be enhanced for the readers.

So after that long pre-amble here follows some examples of when TV/film really added something. Since this site is primarily focussed on fantasy I’ll stick to famous examples from that but it’s only fair that I shout out Fight Club as an example of a film that deviated to good effect. There are a number of times when minor characters are replaced with Tyler and the ending is totally different. In both cases I think this is an improvement on what is a very good original story. Ok, back to fantasy…

Robert & Cersei, Game of Thrones Season 1, episode 5 ‘The Wolf & the Lion’.

All of season 1 of Game of Thrones is pretty much a definitive guide on how to adapt a book faithfully. Most of the changes are editing for content (which is perfectly acceptable especially when there are budget limits) and where they are not they are fleshing out characters who we didn’t see so much of in the books.

This works because all the books in A Song of Ice and Fire use the POV structure meaning there is much that happens that we (as the readers) just don’t ‘see’. The Robert and Cersei scene in episode 5 is an example of something that ‘could have’ happened off-camera from the POV characters in question.

The two of them talk and in doing so answer some questions that we wouldn’t have known the answer to otherwise and flesh out our understanding of them .In the scene both remain ‘in character’ even when they show a side to their character you might not have expected. Some purists might take umbrage that Cersei is depicted as having loved Robert initially but I think it shows them both to be more human (albeit horrifically flawed humans).

Lighting the beacons, Lord of the Rings: The Return of the King

Ok, the set up is a bit laboured and unnecessary. Denethor in the film is a bit less ambiguous than in the book so he actively tries to stop this sensible measure leading Pippin to have to show some initiative. But once that is out of the way we are treated to one of the stand out sequences of the film. The soaring soundtrack of the Gondor theme playing over the glorious New Zealand scenery passing hope from mile to mile with every burst of firelight. In the books it is mentioned but, much as we try as writers, this is the kind of thing where film has us beat.

The battle of summer and winter, The Lion the Witch and the Wardrobe

Now it’s been a fair few years since I’ve read The Lion, the Witch and the Wardrobe but as I recall the battle is not described in a huge amount of detail. The film-makers really used the opportunity to give a scene that embraced the otherworldliness of the creatures involved; the griffins (superbly, character-fully animated incidentally) swoop in and throw rocks, the phoenix creates a fiery barrier and best of all is the moment when the big cats can’t restrain themselves any more and outstrip the rest of the cavalry while on the other side polar bears and loping werewolves run to meet them. For once, really running with an action set-piece really pays off here.

Of course there are many other examples than this (mentioning all the times an actor made a character more sympathetic is a blog in of itself) but I think in all of these cases the TV/film-makers have managed to add something without taking anything away. There is no car-crash or unravelling, simply they have taken what was there and added their own artistic flourish in in a way that remains true to the original story.